
Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
七条命
李修贤,陈明君,郑浩南,Mark,Cheng,雷宇扬,莫昌成,颜仟汶,林伟亮,马德钟,Joe,Tak-Chung,Ma
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2000/中国香港
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静默地带
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2025/美国
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1303大厦
中越典子,古田新太,板谷由夏,上原香代子,初音映莉子
中越典子,古田新太,板谷由夏,上原香代子,初音映莉子
2007/日本,美国
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坤蒂拉娜2
Sandrinna Michelle,Andryan Bima,Ali Fikry,Adlu Fahrezi,Ciara Nadine Brosnan,卡琳娜·苏万迪,Maxime Bouttier,Susan Sameh,Nena Rosier,缇尤库·里夫纳·维卡纳,Ayu Dyah Pasha
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2019/印度尼西亚
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铁门
Axel,Wedekind,伦加诺·尼奥尼
Axel,Wedekind,伦加诺·尼奥尼
2010/德国
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遗弃之地
Jonathan,Rosenthal,Tamara,Perry,Regis,Terencio
Jonathan,Rosenthal,Tamara,Perry,Regis,Terencio
2024/美国
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恐怖地窖
Adriana Ambesi,伊格纳齐奥·巴尔萨莫,Christopher Lee
Adriana Ambesi,伊格纳齐奥·巴尔萨莫,Christopher Lee
1964/意大利,西班牙
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黑社会档案之黑金帝国
黄秋生,陈惠敏,午马,彭丹,苏B
黄秋生,陈惠敏,午马,彭丹,苏B
1999/中国香港
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致命来电
Joanne,Jansen,Neville,Edwards,Sierra,Woolridge,肖恩·琼斯,Colton,Royce,Mary,Ditta
Joanne,Jansen,Neville,Edwards,Sierra,Woolridge,肖恩·琼斯,Colton,Royce,Mary,Ditta
2022/美国
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恐怖热线之大头怪婴(国语版)
吴镇宇,何超仪,李灿森,周励淇,张佳佳
吴镇宇,何超仪,李灿森,周励淇,张佳佳
2001/中国香港
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魔术的耳语
木村佳乃,中村蒼,大杉漣,小池栄子,谷村美月,松重豊,加藤治子,原田美枝子,奥田瑛二
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2011/日本
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阴齿
杰丝·威克斯勒,哈尔·阿普尔曼,乔什·帕
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2007/美国
Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.