
For the originality of its content and manner of telling, Gael Morel's "Le Clan" deserves wide art-house distribution. It does, however, need a better English title. Life may be difficult for people in the film, but they are not slaves and make choices that attempt to better their situations, if not always happily. Why not simply "A Clan," since nobody remembers Griffith's second title for "Birth of a Nation," or "Brothers"? Two boys practice a North African "slave dance," but for sport and release. The tightly edited movie can be thought of as short stories about three brothers and their father. With rapid shifts we keep learning new things about the characters. Sometimes one wonders what went on during a gap, but usually one can figure it out and the dialogue that would have worked it through would have been sentimental and out of character. One shot of the brothers huddled together watched by their father is difficult to justify realistically, but it works as a symbolic representation. If meanwhile one wants everything spelled out and sweetened, there is the Québec film "C.R.A.Z.Y." The brothers do maintain enormous familiarity. The youngest one, very drunk, is helped by a brother to vomit. If that's shocking, we have to take it as a fact of the milieu. The banlieux of France have recently been in the news. "Le Clan" goes much further with stories that lead one to care for the characters in the variety of their difficult situations of social derogation, dangerous labour, sexuality, and self-esteem.
行动时刻
约翰尼·诺克斯维尔,布里盖特·伦迪·佩恩,丹·巴克达尔,埃莉诺•沃辛顿-考克斯,克里斯·庞蒂斯,约翰尼·彭伯顿
约翰尼·诺克斯维尔,布里盖特·伦迪·佩恩,丹·巴克达尔,埃莉诺•沃辛顿-考克斯,克里斯·庞蒂斯,约翰尼·彭伯顿
2018/美国,南非
/英语
警察
查理·卓别林,艾德娜·珀薇安丝,韦斯利·鲁格尔斯,John Rand,Billy Armstrong
查理·卓别林,艾德娜·珀薇安丝,韦斯利·鲁格尔斯,John Rand,Billy Armstrong
1916/美国
/英语
大赛车
布尔维尔, 兰多·布赞卡, 沃特·奇亚里, 彼得·库克, 托尼·柯蒂斯, Mireille Darc, 玛丽·杜布瓦, 杰特·弗罗比, 苏珊·汉姆谢, 杰克·霍金斯, 妮可莱塔·玛西亚弗利, 达德利·摩尔, 佩尔·施密特, 埃里克·赛克斯, 特里-托马斯
布尔维尔, 兰多·布赞卡, 沃特·奇亚里, 彼得·库克, 托尼·柯蒂斯, Mireille Darc, 玛丽·杜布瓦, 杰特·弗罗比, 苏珊·汉姆谢, 杰克·霍金斯, 妮可莱塔·玛西亚弗利, 达德利·摩尔, 佩尔·施密特, 埃里克·赛克斯, 特里-托马斯
1969/英国, 法国, 意大利
/英语
经典之作:《脱线家族》
凯文·坎德拉里奥罗伊·海洛克克里斯托弗·奈特
凯文·坎德拉里奥罗伊·海洛克克里斯托弗·奈特
2021/美国
/英语
休息一晚
2021/德国
/德语
开麦拉狂想曲
史蒂夫·布西密,凯瑟琳·基纳,德蒙特·莫罗尼,丹妮埃尔·冯·泽内克,詹姆斯·勒格罗,Rica,Martens,彼特·丁拉基,凯文·考利甘,Hilary,Gilford,Robert,Wightman,Tom,Jarmusch,迈克尔·格里菲斯,Matthew,Grace,Ryan,Bowker,Francesca,DiMauro,洛瑞·坦·齐恩
史蒂夫·布西密,凯瑟琳·基纳,德蒙特·莫罗尼,丹妮埃尔·冯·泽内克,詹姆斯·勒格罗,Rica,Martens,彼特·丁拉基,凯文·考利甘,Hilary,Gilford,Robert,Wightman,Tom,Jarmusch,迈克尔·格里菲斯,Matthew,Grace,Ryan,Bowker,Francesca,DiMauro,洛瑞·坦·齐恩
1995/美国
/英语
别那么骄傲
陈子由,谭盐盐,金靖,张瑞成,冯青,高浩元,任添琪
陈子由,谭盐盐,金靖,张瑞成,冯青,高浩元,任添琪
2021/中国大陆
/汉语普通话
江湖告急(普通话版)
梁家辉,吴君如,陈奕迅,黄秋生
梁家辉,吴君如,陈奕迅,黄秋生
2000/香港
/粤语
自杀四人组
皮尔斯·布鲁斯南,伊莫琴·普茨,乔·科尔,戴安娜·肯特,裴淳华,托妮·科莱特,亚伦·保尔,泰蕾兹·布拉德利,山姆·尼尔,塔彭丝·米德尔顿,约瑟夫·阿尔京,里奥·比尔
皮尔斯·布鲁斯南,伊莫琴·普茨,乔·科尔,戴安娜·肯特,裴淳华,托妮·科莱特,亚伦·保尔,泰蕾兹·布拉德利,山姆·尼尔,塔彭丝·米德尔顿,约瑟夫·阿尔京,里奥·比尔
2014/英国
/英语
家和万事惊
吴镇宇,古天乐,袁咏仪,张达明,吴肇轩
吴镇宇,古天乐,袁咏仪,张达明,吴肇轩
2019/中国大陆
/粤语
老师们2
Douglas,Reith,Eric,Lampaert,伊莎贝尔·南蒂,迪迪埃·布尔东,Kev,Adams,盖亚·维斯
Douglas,Reith,Eric,Lampaert,伊莎贝尔·南蒂,迪迪埃·布尔东,Kev,Adams,盖亚·维斯
2015/法国
/法语
鼹鼠之歌
生田斗真,阿部亮平,有园芳记,远藤宪一,吹越满,岩城滉一,上地雄辅,河井青叶,皆川猿时,仲里依纱,冈村隆史,织本顺吉,大杉涟,寺岛进,堤真一,渡边菜生子,矢岛健一,山田孝之
生田斗真,阿部亮平,有园芳记,远藤宪一,吹越满,岩城滉一,上地雄辅,河井青叶,皆川猿时,仲里依纱,冈村隆史,织本顺吉,大杉涟,寺岛进,堤真一,渡边菜生子,矢岛健一,山田孝之
2013/日本
/日语
For the originality of its content and manner of telling, Gael Morel's "Le Clan" deserves wide art-house distribution. It does, however, need a better English title. Life may be difficult for people in the film, but they are not slaves and make choices that attempt to better their situations, if not always happily. Why not simply "A Clan," since nobody remembers Griffith's second title for "Birth of a Nation," or "Brothers"? Two boys practice a North African "slave dance," but for sport and release. The tightly edited movie can be thought of as short stories about three brothers and their father. With rapid shifts we keep learning new things about the characters. Sometimes one wonders what went on during a gap, but usually one can figure it out and the dialogue that would have worked it through would have been sentimental and out of character. One shot of the brothers huddled together watched by their father is difficult to justify realistically, but it works as a symbolic representation. If meanwhile one wants everything spelled out and sweetened, there is the Québec film "C.R.A.Z.Y." The brothers do maintain enormous familiarity. The youngest one, very drunk, is helped by a brother to vomit. If that's shocking, we have to take it as a fact of the milieu. The banlieux of France have recently been in the news. "Le Clan" goes much further with stories that lead one to care for the characters in the variety of their difficult situations of social derogation, dangerous labour, sexuality, and self-esteem.